![]() Indoors, in common incandescent lighting, color balance is warm and reddish with the Auto white balance setting. About average exposure compensation required. Warm results with Auto and Incandescent white balance, though excellent color balance with Manual white balance. See thumbnails of all test and gallery images (The cyan to blue shift is very common among the digital cameras we test we think it's a deliberate choice by camera engineers to produce better-looking sky colors.) Mean "delta-C" color error at base ISO was 6.19 after correction for saturation, which is a little higher than average (lower numbers are better), but still considered good, and remained below 7 across the ISO range. Reds are shifted slightly toward orange, light orange toward yellow and cyan toward blue, but there are only very slight shifts in yellow, green and purple. As with most cameras, the Nikon D750 produces a few color shifts relative to the mathematically precise translation of colors in its subjects. Oversaturation is most problematic is on Caucasian skin tones, as it's veryÄ®asy for these "memory colors" to be seen as too bright, too pink, (Likely in part because the camera doesn't pump reds as much as most.) Manual white balance produced more healthier-looking pinkish skin tones. The Nikon D750's rendering of Caucasian skin tones looked a little too warm and yellow in our "sunlit" outdoor lighting test when using auto white balance. Like their color a bit brighter than life. Most consumerÄigital cameras produce color that's more highly saturated (more intense) The D750's default mean saturation is fairly consistent across ISOs, ranging from a minimum of 107.5% at ISO 12,800 to 113.7% at extended low ISO 50. Overall, mean saturation levels are just a little higher than average at 11.7% oversaturated at ISO 100. The Nikon D750 pumps dark blues a lot, dark greens moderately, quite a few colors slightly, but actually undersaturates yellow, light green, aqua and cyan tones. Mouse over the links above to compare ISOs, and click to load a larger version. ![]() Thus, hue-accurate, highly saturated colors appear as lines radiating from the center. ![]() Hue changes as you travel around the center. More saturated colors are located toward the periphery of the graph. In the diagram above, the squares show the original color, and the circles show the color that the camera captured. ![]()
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